Transnational imaginaries and the negotiation of sexual rights during the South African transition

In this article, we trace the transnational cultural flows that shaped the recognition of sexual rights as human rights during the transition to democracy in South Africa. Through a close reading of Beverley Ditsie and Nicky Newman’s documentary film, Simon & I (2002), we investigate the contested history of postapartheid sexual rights in which local cultural politics overlap and intersect with transnational agents, ideologies, and affect. Ditsie and Newman’s documentary centres on the figure of Simon Nkoli, a prominent gay rights and anti-apartheid activist. The film traces the complexities, contradictions and transnational connections that produce an expanded understanding of rights as indivisible and universal. Focusing on the contesting local and transnational imaginaries in which the sexual rights regime was constituted, we resist discourses suggesting that the constitutional codification of sexual rights in South Africa was inevitable. Far from being inevitable, we argue, the recognition of gay and lesbian rights as human rights was located within the crosshairs of an uncertain and volatile historical moment.