Abstract
The anthropology of conservation and the way that visual media, especially documentary film, contribute to mythical Tourist perceptions of the San, are discussed in relation to categories of conservancy, living museums, cultural ecology and the marketing of ecological legitimacy. The central metaphor of dance as a mythical tourist image of Africa is the vehicle through which the analysis is undertaken.
Original language | English |
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Pages (from-to) | 197-212 |
Number of pages | 16 |
Journal | Visual Anthropology |
Volume | 12 |
Issue number | 2-3 |
DOIs | |
Publication status | Published - Jan 1999 |
ASJC Scopus subject areas
- Cultural Studies
- Anthropology