Nationhood in South Sudan Cinema: The Iconicity of Motherhood in Akuol de Mabior's No Simple Way Home (2023)

Research output: Contribution to journalArticlepeer-review

Abstract

Post-cessation nationhood in South Sudan presented a paradoxical situation: a country united during struggle is fragmented after independence. Among the triggers for this scenario was the death of Dr John Garang de Mabior-the country's founding father. This article is a multidisciplinary semiotic critique of Akuol de Mabior's film, No Simple Way Home (2023), against the history of South Sudanese nationhood. Without claiming a political scientific analysis, the author proposes that South Sudan's crisis of nationhood is symptomatic of a quest for a unifying icon. He theorizes the protagonist's quintessence of motherhood as a semiotic gesture of her de jure iconicity of unified nationhood.

Original languageEnglish
JournalAfrican Studies Review
DOIs
Publication statusAccepted/In press - 2024

Keywords

  • Akuol de Mabior
  • iconicity
  • John Garang de Mabior
  • motherhood
  • nationhood
  • No Simple Way Home
  • Rebecca Nyandeng de Mabior
  • South Sudan
  • South Sudan cinema
  • South Sudan crisis

ASJC Scopus subject areas

  • Cultural Studies
  • Anthropology

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