Abstract
This review article examines two palimpsest rewritings of J. M.Coetzee’s canonical but controversial novel, Disgrace (1999). Both rewritings are by women: Lacuna, a novel published in 2019, is by a white South African woman, Fiona Snyckers, and “Letter to John Coetzee” takes the form of a short story by Michelle Cahill, a woman of color living in Australia, published in Cahill’s collection Letter to Pessoa (2016). The article uses Cahill’s coinage of “interceptionality” to discuss how dominant narratives may be disrupted and subverted, particularly when it comes to representing gender-based violence in the arts. It concludes with a discussion of South African artist Gabrielle Goliath’s exhibition, “This song is for … ” (2019).
| Original language | English |
|---|---|
| Pages (from-to) | 166-175 |
| Number of pages | 10 |
| Journal | Safundi |
| Volume | 21 |
| Issue number | 2 |
| DOIs | |
| Publication status | Published - 2 Apr 2020 |
UN SDGs
This output contributes to the following UN Sustainable Development Goals (SDGs)
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SDG 5 Gender Equality
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SDG 16 Peace, Justice and Strong Institutions
Keywords
- interceptionality
- intersectionality
- J. M. Coetzee
- Representing rape
ASJC Scopus subject areas
- Cultural Studies
- History
- Political Science and International Relations
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