Contradictory subjectivity: Movies, apartheid, and postmodernism

Keyan G. Tomaselli

doi:10.1177/153270860100100201

Contradictory subjectivity: Movies, apartheid, and postmodernism

Keyan G. Tomaselli

University of KwaZulu-Natal

Research output: Contribution to journal › Article › peer-review

5 Citations (Scopus)

Abstract

Most of the author's writing and film/video making until the mid-1990s was couched within an antiapartheid, explicitly Marxist framework. But, like all individuals, he has his contradictions. These are derived from his class, eth nic, and racial determinations. This reflexive article negotiates the author's experiences during the apartheid and postapartheid eras, from modernism to postmodernism. This chapter examines some of these influences on his professional experience, teaching, and research.

Original language	English
Pages (from-to)	139-156
Number of pages	18
Journal	Cultural Studies - Critical Methodologies
Volume	1
Issue number	2
DOIs	https://doi.org/10.1177/153270860100100201
Publication status	Published - 2001
Externally published	Yes

ASJC Scopus subject areas

Cultural Studies
Arts and Humanities (miscellaneous)

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10.1177/153270860100100201

Cite this

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Contradictory subjectivity: Movies, apartheid, and postmodernism

Abstract

ASJC Scopus subject areas

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