Contradictory subjectivity: Movies, apartheid, and postmodernism

Research output: Contribution to journalArticlepeer-review

5 Citations (Scopus)


Most of the author's writing and film/video making until the mid-1990s was couched within an antiapartheid, explicitly Marxist framework. But, like all individuals, he has his contradictions. These are derived from his class, eth nic, and racial determinations. This reflexive article negotiates the author's experiences during the apartheid and postapartheid eras, from modernism to postmodernism. This chapter examines some of these influences on his professional experience, teaching, and research.

Original languageEnglish
Pages (from-to)139-156
Number of pages18
JournalCultural Studies - Critical Methodologies
Issue number2
Publication statusPublished - 2001
Externally publishedYes

ASJC Scopus subject areas

  • Cultural Studies
  • Arts and Humanities (miscellaneous)


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